10 tips
to improve your string writing skill
This post has ten different tips to improve your string writing skills. As strings are used extensively in modern popular music it is an important aspect of a producer’s toolkit to master.
- A useful technique is to write the same passage with both short and long note values and matching articulations. This allows one to try any section with two types of sounds. For example, verse 1 may work well with longer articulations, whereas verse 2 may benefit from mixing long and short values. As both are programmed from the same notes, this gives one a bit more freedom to find suitable string parts.
- A simple way to bring new interest to a song is by changing articulation. If the first half of the track had the same type of articulation, then it may be used as an element of surprise. Key switching is articulations, whilst programming is an excellent way to make sure that a part is performed to the sound.
- When writing for strings, think of it as one group or as a supra instrument. Few instrument families blend as well as the violin family. One way to check this is to solo only the string parts, and if it can stand on its own, then it has been well crafted.
- Nothing smells like programmed MIDI parts more than sustained notes with no dynamic change. Even though note velocity may be changed from note to note, it is what happens during the span of a note. Listen to any great string quartet to hear this in action. This also applies to brass and woodwind writing.
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As modern styles have become denser in terms of layers, per note, it may happen that an actual string part may sound small and overpowered. Layering pads to these parts will help to create a fuller and lusher sound. The important part of this technique is the following:
1. Make use of simple waveforms with a bit of reverb (all parts sent to a single reverb).
2. Detune the simple waveforms by a few cents, either up or down.
3. Mix in until noticeable, but barely so.
4. Pan in the same position as the source sound.
Using this as a starting point, one can then begin to sculpt that is fitting to the song’s aesthetic.
- Make use of vibrato on long notes. This technique is common practice for any string player; why not emulate it to create a more realistic performance.
- Write to the strength of the sample. If an articulation does not have the right type of performance qualities, then search for an alternative articulation instead.
- Think carefully of the ensemble size. Having five players will never produce the same full and rich tone as when 60 players play together. Go through the available libraries and find the right sound for that project.
- Depending on the sample library, be aware if reverb is added to every single patch. This will create a stacked reverb sound, which is not only unnatural sounding but will also fill up a mix without much return
- Sometimes just a bit of enhancement can make a difference to a part. By subtly enhancing the stereo width of predelay, one can add a sense of space behind the strings. Most importantly, do not overuse this technique.
It is important to continuously try different ideas in your production. Adding strings to the right movement can lift and enhance a track as few other types of instruments can.
